MANGA INSIDER MAYU #16 – HOW TO WORK WITH AN EDITOR: MANGA AWARDS
On today’s Manga Insider, continuing from the previous episode, we’re going to be covering the topic of “how to meet an editor”!
This time, we’re specifically going to be looking at “entering a manga award”.
I’m sure that many of you have experience taking part in SILENT MANGA AUDITION®, but how exactly does one go about entering a manga award?
Mr. Akiyama (from the ZENON Editorial Team) will be giving us the explanations!
How the manga award goes:
1. Get a clear understanding of the manga award that you want to enter.
We tend to lump them all together as “manga awards”, but there are various awards held by various magazine companies, and they’re all a little different.
Before you choose, you should consider which magazine would be most appropriate for your manga, and what the conditions of the award are.
You may notice that, in the case of a magazine with multiple awards, the awards often have different ranks based on the requirements.
For example, Comic ZENON has three kinds: the Comic ZENON Manga Taishou (The Grand Prize), the Manga Audition, and the Ichigeitoppa (One-Art Breakthrough) Manga Award.
Among these, the Grand Prize is the highest rank, and is judged on the artist’s overall manga drawing abilities. Pros who are currently drawing for Comic ZENON are sometimes invited to judge, and those who win are considered to be very close to debuting. As it’s a very large scale award, it’s only held every 6 months.
On the other hand, Manga Audition is the Japan domestic version of SILENT MANGA AUDITION®. Ability to “Direct” a manga is most important in this award. Entrants are required to draw a short (under 17 page) silent manga. In this way, they compete with their ability to tell a story using pictures only. Although this is a lot more specific, the award is held once every two months, so it’s a lot easier to enter.
The One-art Breakthrough Manga Award is a new award that’s being held from this year. It’s divided into 3 sections “characters”, “dialogue” and “imagination”, and entrants can enter whichever section they feel most confident in. For the first round, One Punch Man‘s One-Sensei was invited to judge! In the future, this award will probably be integrated with Manga Audition.
In this way, each manga award has it’s own characteristics and the requirements are different. As such, it’s important for you to objectively evaluate your own abilities and choose which award would be best for you.
So, if you want to become a manga artists at Comic ZENON, you may now realize that the ideal would be to first polish your skills through the Manga Audition and One-Art Breakthrough Awards, and once you feel ready, attempt to win the Grand Prize!
2. Send your manga before the deadline!
Draw up a realistic schedule, and work at a pace that allows you to finish your manga in time for the deadline! As I mentioned in the previous article, being able to complete your work within the allotted time period is the absolute minimum requirement to be a professional manga artist.
3. The judging, and the aftermath
The judging works differently depending on the award. I’m going to use the ZENON Awards as an example to explain:
In the case of the Grand Prize, first the editorial team selects the best works. These are then given scores by bookstore staff, readers, and the judges (professional manga artist). The winners get their manga published in an issue of Comic ZENON two months after the deadline, and the artists whose works made it to the final round are assigned editors.
On the other hand, in the case of Manga Audition, only the editorial team assigns points, and the winners are announced in the following issue of Comic ZENON. Those artists are also assigned editors.
The advantages and disadvantages of Manga Awards:
The number one advantage of manga awards is definitely personal branding. Regardless of how small, if you can say that you’ve won a manga award, it becomes a huge point in your favor. From the magazines’ point of view, an artist who has won an award is capable of producing a hit manga for the magazine!
Another big advantage is that the editors are assigned based on a candidacy system (they put themselves forward as candidates) In other words, the editor assigned to you will definitely be someone who has acknowledged and appreciates your work. Working with someone like that is a lot easier than working with an editor randomly assigned through mochikomi.
Of course, the disadvantage is that if you don’t win, you don’ get an editor at all. Since there are thousands of people who want to become professional manga artists, you have to win through some stiff competition. No matter how confident you are, there’s no guarantee that you’ll be able to pull it off! Thinking about it in that way, going in for “mochikomi” might be the logical first step after all.
Regardless of which route you take, winning a manga award is a big plus for your career. If you have confidence, or if you just want to test your ability, I recommend that you give it a shot!
How to succeed through a manga award:
Winning a manga award is no small task. I asked Mr. Akiyama what sort of manga tended to win, and he gave me this answer:
At the end of the day, people who win manga awards are the people who put their heart and soul into drawing their manga. Of course, all artists try their best, but the desire to show the readers a story that you love must be very strong. The readers can sense these feelings when they read your work.
Also, rather than worrying about how you can score points with the judges, you should think about “What can I draw that will make people happy? What can I do?” A manga’s selling point is based on the artist’s individuality. The fans read manga because they want to see that individuality. Most serials are built on emphasizing the author’s strong point.
This may sound a little vague, but the gist of it is “draw what you like” and “improve your strong point”. For example, if you like drawing pictures of children, focus on making your pictures of children as cute as possible. Don’t try to get a 75% for each element, try to get 120% for a single element. When it comes to entertainment, you can’t always make something a hit just by removing all the bad parts. Rather, you have to make the good parts stand out.
These are words of wisdom from a man who has been involved in the creation of a lot of hit manga… take a moment to soak them up!
Over these two episodes, I’ve introduced to you how you go about finding an editor. I hope that this information will prove useful. Finally, Mr. Akiyama has a few words to say about mochikomi and manga awards from the editor’s point of view.
Editors take mochikomi and manga awards very seriously. We aren’t just thinking about the manga artist’s drawing ability, we’re also thinking about things like the artist’s personality or how we can get along with them, to create a good relationship as a life-long business partner. Editors are responsible for the artists life, which means we can’t just let the artist debut before they are ready. We’re always doing our best to take the artist as far as they can possibly go.
On the next episode of Manga Insider, I’ll be introducing “manga planning”!
Where do you begin? And how does it end?
Please look forward to it!
Do you have a good idea for a manga award? What kind of award would you love to enter?
Please leave your comments below! ZENON and SMAC! might take you up on your ideas!
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